Unlike Yeongban’s desperation, the figure of Cheonhwageom (Thousand Flower Sword) gradually grew more distant.
As if declaring that this chase had been nothing but a game, as if saying there was no reason to indulge any longer, the figure retreated step by deliberate step.

The ground, trampled underfoot, sank deeply with each step. Clouds of dust erupted like an explosion of flames.
The sheer power of this movement defied imagination.

Yeongban did not know such a technique existed.

By nature, the pinnacle of movement techniques resembles the wind.
The higher one’s skill, the faster and lighter their …